<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-31568714</id><updated>2011-04-21T21:13:37.253-07:00</updated><title type='text'>mMK`ref`ac</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mmkrefac.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://mmkrefac.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-31568714.post-115372331957485599</id><published>2006-07-23T23:21:00.002-07:00</published><updated>2006-07-28T22:22:31.683-07:00</updated><title type='text'>English</title><content type='html'>ART Criticism&lt;br /&gt;Sarah Gill, The Critics Sees - A Guide to Art Criticism (1991)&lt;br /&gt;&lt;br /&gt;D. Chasman &amp; E. Chiang, Drawing Us In - How we experience Visual Art (2000)&lt;br /&gt;&lt;br /&gt;ART Critics&lt;br /&gt;&lt;br /&gt;Bois, Buchloh, Foster, Krauss&lt;br /&gt;Art Since 1900 (2005)&lt;br /&gt;&lt;br /&gt;Hal Foster, Recodings - Art, Spectacle, Cultural Politics (1985)&lt;br /&gt;&lt;br /&gt;Robert Hughes&lt;br /&gt;Kim Kevin&lt;br /&gt;Arthur C. Danto&lt;br /&gt;Thomas Crow&lt;br /&gt;Harold Rosenberg&lt;br /&gt;Clavin Tomkins&lt;br /&gt;Clement Greenberg&lt;br /&gt;Jerl Perl&lt;br /&gt;Barbara Rose&lt;br /&gt;&lt;br /&gt;The Nation&lt;br /&gt;The New Criterion&lt;br /&gt;Art Forum&lt;br /&gt;&lt;br /&gt;On Greenberg&lt;br /&gt;Florence Rubenfeld, Clement Greenberg - A Life (1997)&lt;br /&gt;&lt;br /&gt;Boris Groys, The Total Art of Stalinism - Avant-garde, Aesthetic Dictatorship, and Beyond (1992)&lt;br /&gt;&lt;br /&gt;Hilton Kramer, The Revenge of the Philistines - Art and Culture 1972-1984 (1985)&lt;br /&gt;&lt;br /&gt;Peter Wollen, Paris Manhattan - Writings on Art (2004)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Art History&lt;br /&gt;ed. James Elkins, Art History versus Aesthetics (2006)&lt;br /&gt;Jae Emerling, Theory for Art History (2005)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PHOTO&lt;br /&gt;Dogmar Barnouw, Critical Realism - History, Photography and the Work of Siegfried Kracauer (1994)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Katty Siegel and Paul Mattick, Art works - MONEY (2004)&lt;br /&gt;&lt;br /&gt;Julian Stallabrass, Art Incorporated - The Story of Contemporary Art (2004)&lt;br /&gt;&lt;br /&gt;Paul Werner, Museum, Inc. Inside the Global Art World (2005)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NAJP&lt;br /&gt;The New Gate Keepers - Exploring Challenges to Free Expression in the Arts (2003)&lt;br /&gt;ARTicles NAJP #6/2001 Taboo&lt;br /&gt;&lt;br /&gt;Public Art&lt;br /&gt;ed. Suzanne Lacy, Mapping the Terrain - New Genre Public Art (1995)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31568714-115372331957485599?l=mmkrefac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkrefac.blogspot.com/feeds/115372331957485599/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=31568714&amp;postID=115372331957485599' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372331957485599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372331957485599'/><link rel='alternate' type='text/html' href='http://mmkrefac.blogspot.com/2006/07/english.html' title='English'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-31568714.post-115372209976365282</id><published>2006-07-23T23:21:00.001-07:00</published><updated>2006-11-20T05:50:47.056-08:00</updated><title type='text'>Chinese</title><content type='html'>謝東山:當代藝術批評的疆界&lt;br /&gt;謝東山:藝術批評學&lt;br /&gt;&lt;br /&gt;文字行動(世安美學論文獎)&lt;br /&gt;帝門第一屆藝術評論獎&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31568714-115372209976365282?l=mmkrefac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkrefac.blogspot.com/feeds/115372209976365282/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=31568714&amp;postID=115372209976365282' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372209976365282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372209976365282'/><link rel='alternate' type='text/html' href='http://mmkrefac.blogspot.com/2006/07/chinese.html' title='Chinese'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-31568714.post-115372208481664875</id><published>2006-07-23T23:21:00.000-07:00</published><updated>2006-07-23T23:21:24.823-07:00</updated><title type='text'>German</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/31568714-115372208481664875?l=mmkrefac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mmkrefac.blogspot.com/feeds/115372208481664875/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=31568714&amp;postID=115372208481664875' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372208481664875'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/31568714/posts/default/115372208481664875'/><link rel='alternate' type='text/html' href='http://mmkrefac.blogspot.com/2006/07/german.html' title='German'/><author><name>jaspar</name><uri>http://www.blogger.com/profile/05309091752922131132</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
